• Kim Westcott, Wavelength, 1993
    Kim Westcott
    Wavelength, 1993
    Drypoint on Hahnemuhle paper
    Artwork: 88 x 71 cm
    Frame: 134 x 102 cm
    2/10
  • Kim Westcott, Untitled, 2010
    Kim Westcott
    Untitled, 2010
    drypoint and encaustic on Japanese paper
    20.5 x 15.5 cm
  • Kim Westcott, Untitled, 2010
    Kim Westcott
    Untitled, 2010
    drypoint and encaustic on Japanese paper
    20.5 x 15.5 cm
  • Kim Westcott, Untitled, 2010
    Kim Westcott
    Untitled, 2010
    drypoint and encaustic on Japanese paper
    20.5 x 15.5 cm
  • Mike Green, Weapon of Mass Destruction No. 1, 2024
    Mike Green
    Weapon of Mass Destruction No. 1, 2024
    Lithograph
    43 x 28 cm
    16 7/8 x 11 in
  • Mike Green, Weapon of Mass Destruction No. 2, 2024
    Mike Green
    Weapon of Mass Destruction No. 2, 2024
    Lithograph
    43 x 28 cm
    16 7/8 x 11 in
  • Mike Green, Weapon of Mass Destruction No. 3, 2024
    Mike Green
    Weapon of Mass Destruction No. 3, 2024
    Lithograph
    43 x 28 cm
    16 7/8 x 11 in
  • Mike Green, Weapon of Mass Destruction No. 4, 2024
    Mike Green
    Weapon of Mass Destruction No. 4, 2024
    Lithograph
    43 x 28 cm
    16 7/8 x 11 in
  • Kim Westcott, Burnt Relic, 1998-99
    Kim Westcott
    Burnt Relic, 1998-99
    drypoint
    89 x 71 cm
    35 x 28 in
    2/10
  • Bruno Leti, Three Views, 1971
    Bruno Leti
    Three Views, 1971
    33.5 x 30.5 cm (image size)
    13 1/4 x 12 in
    Artists Proof
  • Bruno Leti, Poetic Spaces - Three, 2005
    Bruno Leti
    Poetic Spaces - Three, 2005
    lambda photograph
    40 x 30 cm (image size)
    15 3/4 x 11 3/4 in
    1/6
  • Kim Westcott, Miles, 1997
    Kim Westcott
    Miles, 1997
    drypoint on Arches paper
    Artwork: 89 x 119.5 cm
    Frame: 115 x 147 cm
    3/10
  • Ginger Riley, Djartbaramba, 1994
    Ginger Riley
    Djartbaramba, 1994
    screen print
    76 x 56 cm
    29 7/8 x 22 in
    18/60
  • Ginger Riley, Ularumindini, 1994
    Ginger Riley
    Ularumindini, 1994
    screen print
    76 x 56 cm
    29 7/8 x 22 in
    18/30
  • Lin Onus & Mandjad Productions, You haven't seen my keys have you Mick?, 2000
    Lin Onus & Mandjad Productions
    You haven't seen my keys have you Mick?, 2000
    Archival ink on 320gsm SIHL paper
    A3: Image size 32 x 24 cm
    Edition of 48 plus 5 AP/TP

    A2: Image size 43 x 32 cm
    Edition of 48 plus 5 AP/TP

    A1: Image size 60 x 45 cm
    Edition of 21 plus 4 AP/TP

    A0: Image size 106 x 80 cm
    Edition of 9 plus 3 AP/TP
    Edition of 48
  • Lin Onus & Mandjad Productions, From the adventures of X & Ray, 2000
    Lin Onus & Mandjad Productions
    From the adventures of X & Ray, 2000
    Archival ink on 320gsm SIHL paper
    A3: Image size 32 x 24 cm
    Edition of 48 plus 5 AP/TP

    A2: Image size 43 x 32 cm
    Edition of 48 plus 5 AP/TP

    A1: Image size 60 x 45 cm
    Edition of 21 plus 4 AP/TP

    A0: Image size 106 x 80 cm
    Edition of 9 plus 3 AP/TP
    Edition of 48 plus 5 artist's proofs
  • Lin Onus & Mandjad Productions, X & Ray discover Father's Country, 2000
    Lin Onus & Mandjad Productions
    X & Ray discover Father's Country, 2000
    Archival ink on 320gsm SIHL paper
    A3: Image size 32 x 24 cm
    Edition of 48 plus 5 AP/TP

    A2: Image size 43 x 32 cm
    Edition of 48 plus 5 AP/TP

    A1: Image size 60 x 45 cm
    Edition of 21 plus 4 AP/TP

    A0: Image size 106 x 80 cm
    Edition of 9 plus 3 AP/TP
    Edition of 48 plus 5 artist's proofs
  • Lin Onus & Mandjad Productions, X & Ray in the Garden of Earthly Delights, 2000
    Lin Onus & Mandjad Productions
    X & Ray in the Garden of Earthly Delights, 2000
    Archival ink on 320gsm SIHL paper
    A3: Image size 32 x 24 cm
    Edition of 48 plus 5 AP/TP

    A2: Image size 43 x 32 cm
    Edition of 48 plus 5 AP/TP

    A1: Image size 60 x 45 cm
    Edition of 21 plus 4 AP/TP

    A0: Image size 106 x 80 cm
    Edition of 9 plus 3 AP/TP
    Edition of 21 plus 5 artist's proofs
  • Lin Onus & Mandjad Productions, New Age Toas... New Age Guys, 2000
    Lin Onus & Mandjad Productions
    New Age Toas... New Age Guys, 2000
    Archival ink on 320gsm SIHL paper
    A3: Image size 32 x 24 cm
    Edition of 48 plus 5 AP/TP

    A2: Image size 43 x 32 cm
    Edition of 48 plus 5 AP/TP

    A1: Image size 60 x 45 cm
    Edition of 21 plus 4 AP/TP

    A0: Image size 106 x 80 cm
    Edition of 9 plus 3 AP/TP
    Edition of 48
  • Lin Onus & Mandjad Productions, Michael and I are just slipping down the pub for a minute AP, 2000
    Lin Onus & Mandjad Productions
    Michael and I are just slipping down the pub for a minute AP, 2000
    Archival ink on 320gsm SIHL paper
    A3: Image size 32 x 24 cm
    Edition of 48 plus 5 AP/TP

    A2: Image size 43 x 32 cm
    Edition of 48 plus 5 AP/TP

    A1: Image size 60 x 45 cm
    Edition of 21 plus 4 AP/TP

    A0: Image size 106 x 80 cm
    Edition of 9 plus 3 AP/TP
    Edition of 48
  • Kim Westcott, Script, 1991
    Kim Westcott
    Script, 1991
    Drypoint on Hahnemuhle paper
    Artwork dimensions: 88.2 x 72 cm
    Frame dimensions: 108 x 91 cm
    Edition 3 of 8
  • Kim Westcott, Untitled, 1989
    Kim Westcott
    Untitled, 1989
    Drypoint on Hahnemuhle paper
    Artwork dimensions: 88.2 x 72 cm
    Frame dimensions: 108 x 91 cm
    Edition 3 of 10
  • Kim Westcott, NYC x 1, 1994
    Kim Westcott
    NYC x 1, 1994
    Drypoint on Hahneuhle paper
    Artwork dimensions: 43 x 44 cm
    Frame dimensions: 83 x 64 cm
    Monoprint
  • Kim Westcott, Untitled, 1991
    Kim Westcott
    Untitled, 1991
    Drypoint on Hahneuhle paper
    Artwork dimensions: 88.2 x 72 cm
    Frame dimensions: 108 x 91 cm
    Artist Proof
  • Kim Westcott, Boilerwood Backtrack, 2003
    Kim Westcott
    Boilerwood Backtrack, 2003
    Drypoint on hahnemuhle paper
    Artwork: 71 x 88 cm
    Frame: 115cm x 100cm
    5/6
  • Brett Whiteley, Self Portrait, One of a Dozen Glimpses 1983. (Another Way of Looking at Vincent Van Gogh), 1983
    Brett Whiteley
    Self Portrait, One of a Dozen Glimpses 1983. (Another Way of Looking at Vincent Van Gogh), 1983
    Aquatint etching
    26 x 20.5 cm
    19/100
  • Fred Williams, Acacias, 1976-1978
    Fred Williams
    Acacias, 1976-1978
    lithograph
    62 x 46 cm,
    A/P
  • Brett Whiteley, Waves, 1977
    Brett Whiteley
    Waves, 1977
    Linocut
    20.5 x 15 cm
  • Marina Strocchi, La Vendemmia II (tractor going to the left), 2007
    Marina Strocchi
    La Vendemmia II (tractor going to the left), 2007
    Etching
    24.8 x 32.8 cm
    22/30
  • Marina Strocchi, Woolly Butts, 2006
    Marina Strocchi
    Woolly Butts, 2006
    etching and chine-collé
    20 x 24.5 cm
    31/60
  • Marina Strocchi, Mystery Train, 2006
    Marina Strocchi
    Mystery Train, 2006
    Etching
    39.5 x 50 cm
    29/60
  • Marina Strocchi, Boats, 2006
    Marina Strocchi
    Boats, 2006
    etching and chine-collé
    20 x 24.5 cm
    27/60
  • Marina Strocchi, The Top End, 2006
    Marina Strocchi
    The Top End, 2006
    etching and chine-collé
    61 x 81 cm
    44/60
  • Marina Strocchi, The Territory (state I) pink, 2007
    Marina Strocchi
    The Territory (state I) pink, 2007
    lithograph and chine-collé
    38 x 38 cm
    20/20
  • Marina Strocchi, The Territory (state II) black, 2007
    Marina Strocchi
    The Territory (state II) black, 2007
    lithograph and chine-collé
    38 c 38 cm
    20/20
  • Marina Strocchi, Mulga Trees, 2007
    Marina Strocchi
    Mulga Trees, 2007
    Etching
    25 x 33 cm
    2/40
  • Wayne Eager, At Home, 2007
    Wayne Eager
    At Home, 2007
    etching and chine-collé
    24 x 20 cm
    31/60
  • Wayne Eager, Figurescape (state I), 2007
    Wayne Eager
    Figurescape (state I), 2007
    Etching
    24 x 60 cm
    25/25
  • Wayne Eager, Build up, 2007
    Wayne Eager
    Build up, 2007
    lithograph and chine-collé
    50 x 36 cm
    18/25
  • Wayne Eager, First Rain, 2007
    Wayne Eager
    First Rain, 2007
    lithograph and chine-collé
    50 x 36 cm
    18/25
  • Wayne Eager, Orange Landscape, 2007
    Wayne Eager
    Orange Landscape, 2007
    Etching
    24.7 x 61.4 cm
    15/25
  • Wayne Eager, Burnt Landscape, 2015
    Wayne Eager
    Burnt Landscape, 2015
    Lithograph and acrylic
    31 x 55 cm
    27/40
  • Wayne Eager, Two Figures, 2007
    Wayne Eager
    Two Figures, 2007
    Etching
    33 x 24.5 cm
    27/40
  • Wayne Eager, Blue Rocks, 2008
    Wayne Eager
    Blue Rocks, 2008
    Lithograph
    30 x 55 cm
    20/20
  • Wayne Eager, Red Abstract, 2007
    Wayne Eager
    Red Abstract, 2007
    Etching
    33 x 24.5
    30/40
  • Wayne Eager, Still Life
    Wayne Eager
    Still Life
    Etching
    25 x 20cm
    23/60
  • Marina Strocchi, La Vendemmia I (tractor going to the right), 2007
    Marina Strocchi
    La Vendemmia I (tractor going to the right), 2007
    Etching
    24.6 x 32.8 cm
    9/30
  • Kim Westcott, Pangerang Range 28, 2010
    Kim Westcott
    Pangerang Range 28, 2010
    drypoint, encaustic and pigment on konzo paper
    Artwork: 22 x 16 cm
    Frame 38 x 33 cm
  • Kim Westcott, Intertwinement, 2000
    Kim Westcott
    Intertwinement, 2000
    drypoint on hahnemuhle paper
    Artwork: 72 x 90 cm
    Frame: 95 x 112 cm
    Monoprint
  • Kim Westcott, Untitled, 1998
    Kim Westcott
    Untitled, 1998
    Drypoint on hahnemuhle paper
    92 x 72 cm
    36 1/4 x 28 3/8 in
  • Kim Westcott, Untitled, 1998-99
    Kim Westcott
    Untitled, 1998-99
    Drypoint on hahnemuhle paper
    92 x 72 cm
    36 1/4 x 28 3/8 in
    2/10
  • Kim Westcott, Pangerange Range 18, 2010
    Kim Westcott
    Pangerange Range 18, 2010
    Drypoint, encaustic and pigment on Kozo paper
    Artwork: 20 x 46 cm
    Frame: 38 x 64 cm
  • Kim Westcott, Ritual, 2003
    Kim Westcott
    Ritual, 2003
    Drypoint on hahnemuhle paper
    Artwork: 89 x 119 cm
    Frame: 118 x 147 cm
    2/8
  • Kim Westcott, Untitled, 2001
    Kim Westcott
    Untitled, 2001
    Drypoint and Encaustic on Canvas
    120 x 80 cm
  • Kim Westcott, Silver Cast, 2000
    Kim Westcott
    Silver Cast, 2000
    Drypoint and Encaustic on Canvas
    90 x 70 cm
  • Lin Onus, Gumbirri Garginingi, 1996
    Lin Onus
    Gumbirri Garginingi, 1996
    Screenprint
    41.5 x 75 cm
    Edition 26 of 85
  • Lin Onus, Pitoa Garkman (Blue Frogs), 1994
    Lin Onus
    Pitoa Garkman (Blue Frogs), 1994
    Screenprint
    50 x 75 cm
    Edition 29 of 85
  • Lin Onus & Mandjad Productions, X & Ray witness the sinking of the last ship carrying woodchips from Australian shores, 2000
    Lin Onus & Mandjad Productions
    X & Ray witness the sinking of the last ship carrying woodchips from Australian shores, 2000
    Archival ink on 320gsm SIHL paper
    A3: Image size 32 x 24 cm
    Edition of 48 plus 5 AP/TP

    A2: Image size 43 x 32 cm
    Edition of 48 plus 5 AP/TP

    A1: Image size 60 x 45 cm
    Edition of 21 plus 4 AP/TP

    A0: Image size 106 x 80 cm
    Edition of 9 plus 3 AP/TP
  • Lin Onus & Mandjad Productions, Still looking, 2000
    Lin Onus & Mandjad Productions
    Still looking, 2000
    Archival ink on 320gsm SIHL paper
    A3: Image size 32 x 24 cm
    Edition of 48 plus 5 AP/TP

    A2: Image size 43 x 32 cm
    Edition of 48 plus 5 AP/TP

    A1: Image size 60 x 45 cm
    Edition of 21 plus 4 AP/TP

    A0: Image size 106 x 80 cm
    Edition of 9 plus 3 AP/TP
    Edition of 48 plus 4 artist's proofs
  • Kim Westcott, OP #12, 2021
    Kim Westcott
    OP #12, 2021
    Archival inkjet pigment print on cotton rag paper
    29 x 40.5 cm on A3+ paper
    11 3/8 x 16 in
  • Kim Westcott, Cleave II, 2003
    Kim Westcott
    Cleave II, 2003
    Drypoint on hahnemuhle paper
    67 x 59 cm
    Edition 4/11
  • Brett Whiteley, Vincent (an Essay in Opposites), 1982
    Brett Whiteley
    Vincent (an Essay in Opposites), 1982
    Screenprint printed in 2 colours; etching printed in black ink on 2 plates, chine-collé & collage on ivory wove paper
    212 x 92 cm
    A/P edition of 30
  • Bruno Leti, Garden Triangle, 1985
    Bruno Leti
    Garden Triangle, 1985
    etching with aquatint
    15 x 15 cm
    Edition 11 of 30
  • Kim Westcott, Saturation Point, 1996
    Kim Westcott
    Saturation Point, 1996
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, Silverpoint, 1998-99
    Kim Westcott
    Silverpoint, 1998-99
    Drypoint on hahnemuhle paper
    92 x 72.5 cm
    36 1/4 x 28 1/2 in
  • Kim Westcott, Link Backtrack II, 2004
    Kim Westcott
    Link Backtrack II, 2004
    Drypoint on hahnemuhle paper
  • Kim Westcott, Rose River, 2003
    Kim Westcott
    Rose River, 2003
    Drypoint on hahnemuhle paper
    90 x 120 cm
  • Kim Westcott, Link Backtrack III, 2004
    Kim Westcott
    Link Backtrack III, 2004
    Drypoint on hahnemuhle paper
    43 x 60 cm
    16 7/8 x 23 5/8 in
    3/15
  • Kim Westcott, Link Backtrack I-I, 2004
    Kim Westcott
    Link Backtrack I-I, 2004
    Drypoint on hahnemuhle paper
  • Kim Westcott, Moonlight, 1996 - 2001
    Kim Westcott
    Moonlight, 1996 - 2001
    Drypoint on hahnemuhle paper
    120 x 90 cm
    1/15
  • Kim Westcott, Blanket, 1999
    Kim Westcott
    Blanket, 1999
    Drypoint on hahnemuhle paper
    92 x 72.5 cm
    36 1/4 x 28 1/2 in
  • Kim Westcott, Notations, 1996
    Kim Westcott
    Notations, 1996
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, The Deep, 1996 - 2001
    Kim Westcott
    The Deep, 1996 - 2001
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, Horizons, 1994
    Kim Westcott
    Horizons, 1994
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, Untitled, 1996
    Kim Westcott
    Untitled, 1996
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, Untitled, 1996
    Kim Westcott
    Untitled, 1996
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, River Branch Night, 1999
    Kim Westcott
    River Branch Night, 1999
    Drypoint on hahnemuhle paper
    90 x 120 cm
  • Kim Westcott, Inoscullation I, 1999
    Kim Westcott
    Inoscullation I, 1999
    Drypoint on hahnemuhle paper
    90 x 72 cm
    35 3/8 x 28 3/8 in
    13/15
  • Kim Westcott, Link Backtrack, 2004
    Kim Westcott
    Link Backtrack, 2004
    Drypoint on hahnemuhle paper
  • Kim Westcott, Blackboard, 2000
    Kim Westcott
    Blackboard, 2000
    Drypoint on hahnemuhle paper
    90 x 72 cm
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