• Wayne Eager, Figurescape (state I), 2007
    Wayne Eager
    Figurescape (state I), 2007
    Etching
    24 x 60 cm
    25/25
  • Wayne Eager, Build up, 2007
    Wayne Eager
    Build up, 2007
    lithograph and chine-collé
    50 x 36 cm
    18/25
  • Wayne Eager, First Rain, 2007
    Wayne Eager
    First Rain, 2007
    lithograph and chine-collé
    50 x 36 cm
    18/25
  • Wayne Eager, Orange Landscape, 2007
    Wayne Eager
    Orange Landscape, 2007
    Etching
    24.7 x 61.4 cm
    15/25
  • Wayne Eager, Burnt Landscape, 2015
    Wayne Eager
    Burnt Landscape, 2015
    Lithograph and acrylic
    31 x 55 cm
    27/40
  • Wayne Eager, Two Figures, 2007
    Wayne Eager
    Two Figures, 2007
    Etching
    33 x 24.5 cm
    27/40
  • Wayne Eager, Blue Rocks, 2008
    Wayne Eager
    Blue Rocks, 2008
    Lithograph
    30 x 55 cm
    20/20
  • Wayne Eager, Red Abstract, 2007
    Wayne Eager
    Red Abstract, 2007
    Etching
    33 x 24.5
    30/40
  • Wayne Eager, Still Life
    Wayne Eager
    Still Life
    Etching
    25 x 20cm
    23/60
  • Marina Strocchi, La Vendemmia I (tractor going to the right), 2007
    Marina Strocchi
    La Vendemmia I (tractor going to the right), 2007
    Etching
    24.6 x 32.8 cm
    9/30
  • Kim Westcott, Pangerang Range 28, 2010
    Kim Westcott
    Pangerang Range 28, 2010
    drypoint, encaustic and pigment on konzo paper
    Artwork: 22 x 16 cm
    Frame 38 x 33 cm
  • Kim Westcott, Intertwinement, 2000
    Kim Westcott
    Intertwinement, 2000
    drypoint on hahnemuhle paper
    Artwork: 72 x 90 cm
    Frame: 95 x 112 cm
    Monoprint
  • Marina Strocchi, The Kitchen XV, 2017
    Marina Strocchi
    The Kitchen XV, 2017
    Acrylic on paper on marine ply
    60 x 80 cm
  • Kim Westcott, Untitled, 1998
    Kim Westcott
    Untitled, 1998
    Drypoint on hahnemuhle paper
    92 x 72 cm
    36 1/4 x 28 3/8 in
  • Kim Westcott, Untitled, 1998-99
    Kim Westcott
    Untitled, 1998-99
    Drypoint on hahnemuhle paper
    92 x 72 cm
    36 1/4 x 28 3/8 in
    2/10
  • Kim Westcott, Pangerange Range 18, 2010
    Kim Westcott
    Pangerange Range 18, 2010
    Drypoint, encaustic and pigment on Kozo paper
    Artwork: 20 x 46 cm
    Frame: 38 x 64 cm
  • Kim Westcott, Ritual, 2003
    Kim Westcott
    Ritual, 2003
    Drypoint on hahnemuhle paper
    Artwork: 89 x 119 cm
    Frame: 118 x 147 cm
    2/8
  • Wayne Eager, Sandhill Country, 1995
    Wayne Eager
    Sandhill Country, 1995
    Oil on Linen
    168 x 122 cm
  • Wayne Eager, Outback Rocks , 2018
    Wayne Eager
    Outback Rocks , 2018
    Oil on Linen
    91 x 80 cm
  • Wayne Eager, Alphebetica, 2001
    Wayne Eager
    Alphebetica, 2001
    Oil on linen
    180 x 200 cm
  • Rodney Schaffer, 38°20'47.6"S 144°43'31.3"E 23:14:26 2/12/2020, 2022
    Rodney Schaffer
    38°20'47.6"S 144°43'31.3"E 23:14:26 2/12/2020, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    95.5cm x 126cm (Framed)
    78cm x 109.cm (Image size)
  • Rodney Schaffer, 38°19'43.0"S 144°41'26.1"E 07:18:28 14/5/2020, 2022
    Rodney Schaffer
    38°19'43.0"S 144°41'26.1"E 07:18:28 14/5/2020, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    95.5cm x 126cm (Framed)
    78cm x 109.cm (Image size)
  • Rodney Schaffer, 38°19'49.2"S 144°°41'26.6"E 08:00:56 3/12/2020, 2022
    Rodney Schaffer
    38°19'49.2"S 144°°41'26.6"E 08:00:56 3/12/2020, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    95.5cm x 126cm (Framed)
    78cm x 109.cm (Image size)
  • Rodney Schaffer, 38°.32’80.18”S 144°68’96.30”E 07:54:49 14/5/2020, 2022
    Rodney Schaffer
    38°.32’80.18”S 144°68’96.30”E 07:54:49 14/5/2020, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    95.5cm x 126cm (Framed)
    78cm x 109.cm (Image size)
  • Rodney Schaffer, 38°22'54.9"S 144°46'19.4"E 12/4/2022, 1:46:06, 2022
    Rodney Schaffer
    38°22'54.9"S 144°46'19.4"E 12/4/2022, 1:46:06, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    126cm x 95.5cm (Framed)
    108.5cm x 78.7cm (Image size)
  • Rodney Schaffer, LP-Cotard #1, 2022
    Rodney Schaffer
    LP-Cotard #1, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    126cm x 95.5cm (Framed)
    108.5cm x 78.7cm (Image size)
  • Rodney Schaffer, 38°32’93.84”S 144°69’22.55”E 06:04:21 05/7/2021, 2022
    Rodney Schaffer
    38°32’93.84”S 144°69’22.55”E 06:04:21 05/7/2021, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    95.5cm x 126cm (Framed)
    78cm x 109.cm (Image size)
  • Rodney Schaffer, MP-Cotard #3, 2022
    Rodney Schaffer
    MP-Cotard #3, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    87.5cm x 69.5cm (Framed)
    70.2cm x 53cm (Image size)
  • Rodney Schaffer, MP-Cotard #9, 2022
    Rodney Schaffer
    MP-Cotard #9, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    87.5cm x 69.5cm (Framed)
    70.2cm x 53cm (Image size)
  • Rodney Schaffer, MP-Cotard #7, 2022
    Rodney Schaffer
    MP-Cotard #7, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    87.5cm x 69.5cm (Framed)
    70.2cm x 53cm (Image size)
  • Rodney Schaffer, MP-Cotard #4, 2022
    Rodney Schaffer
    MP-Cotard #4, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    87.5cm x 69.5cm (Framed)
    70.2cm x 53cm (Image size)
  • Rodney Schaffer, MP-Cotard #6, 2022
    Rodney Schaffer
    MP-Cotard #6, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    87.5cm x 69.5cm (Framed)
    70.2cm x 53cm (Image size)
    Edition of 5 + 1AP
  • Rodney Schaffer, 38°19'46.0"S 144°41'29.5"E 09:18:15 1/3/2021, 2021
    Rodney Schaffer
    38°19'46.0"S 144°41'29.5"E 09:18:15 1/3/2021, 2021
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    105.8cm x 156.5cm (Framed)
    82.4cm x 139cm (Unframed)
    Edition of 3 + 1AP
  • Rodney Schaffer, 38°35’38.80”S 144°74’20.47”E 07:53:53 18/5/2020, 2022
    Rodney Schaffer
    38°35’38.80”S 144°74’20.47”E 07:53:53 18/5/2020, 2022
    Archival pigment on 305 GSM Hahnemühle ultra-smooth
    105.8cm x 156.5cm (Framed)
    82.4cm x 139cm (Unframed)
    Edition of 3 + 1AP
  • Naata Nungurrayi, The Rockhole Site Of Marrapinti, 1999
    Naata Nungurrayi
    The Rockhole Site Of Marrapinti, 1999
    Synthetic polymer paint on canvas
    120 x 60 cm
  • Kim Westcott, Within / Without, 2022
    Kim Westcott
    Within / Without, 2022
    Indian ink and engraving on paper
    150 x 210 (diptych)
  • Anatjari Tjampitjinpa, UNTITLED (TINGARI AT WALLA WALLA), 1989
    Anatjari Tjampitjinpa
    UNTITLED (TINGARI AT WALLA WALLA), 1989
    Synthetic polymer paint on linen
    122 x 91 cm
    48 x 35 7/8 in
  • Howard Arkley, Suburban House, 1997
    Howard Arkley
    Suburban House, 1997
    Gouache and ink on printed paper (photocopy)
    26 x 40 cm
  • Charmaine Pwerle, Untitled
    Charmaine Pwerle
    Untitled
    Acrylic on canvas
    90cm x 92cm
  • Kim Westcott, Neptune III, 2022
    Kim Westcott
    Neptune III, 2022
    Perspex engraving, enamel, acrylic and wax crayon
    80 x 60 cm
  • Mike Green, Five O’clock, 2019
    Mike Green
    Five O’clock, 2019
    Acrylic on canvas
    50 x 60 cm
  • Howard Arkley, Ornamentik, 1981
    Howard Arkley
    Ornamentik, 1981
    Synthetic polymer paint on canvas
    200 x 120 cm
  • Raylene Walatinna, Ngayuku Ngura (My Country), 2022
    Raylene Walatinna
    Ngayuku Ngura (My Country), 2022
    Acrylic on Linen
    152 x 122 cm
    59 7/8 x 48 in
  • Julian Meagher, Only the tide is allowed in (diptych), 2022
    Julian Meagher
    Only the tide is allowed in (diptych), 2022
    Oil on linen
    155 x 240 cm
  • Nyarapayi Giles, Untitled, 2017
    Nyarapayi Giles
    Untitled, 2017
    Acylic on canvas
    75 x 40 cm
    29 1/2 x 15 3/4 in
  • Gloria Petyarre, Awelye Atnwengerrpi, 2000
    Gloria Petyarre
    Awelye Atnwengerrpi, 2000
    Acrylic on linen
    90 x 183 cm
  • Nyakul Dawson, Muti Kutara, 2004
    Nyakul Dawson
    Muti Kutara, 2004
    Acrylic on linen
    150 x 120 cm
  • Lin Onus, Gumbirri Garginingi, 1996
    Lin Onus
    Gumbirri Garginingi, 1996
    Screenprint
    41.5 x 75 cm
    Edition 26 of 85
  • Lin Onus, Pitoa Garkman (Blue Frogs), 1994
    Lin Onus
    Pitoa Garkman (Blue Frogs), 1994
    Screenprint
    50 x 75 cm
    Edition 29 of 85
  • Christophe Stibio, West Macdonnell Ranges, 2022
    Christophe Stibio
    West Macdonnell Ranges, 2022
    Acrylic, shredded classified documents and rice paper on cotton duck
    155 x 185 cm
    $ 29,500.00
  • Christophe Stibio, Worturpa Gorge 6.53pm, 2021
    Christophe Stibio
    Worturpa Gorge 6.53pm, 2021
    Shredded classified documents, acrylic, rice paper on cotton duck
    105 x 105 cm
    $ 13,500.00
  • Mike Green, Overlooking Ulpma, Serpentine Gorge, 2018
    Mike Green
    Overlooking Ulpma, Serpentine Gorge, 2018
    Synthetic polymer on canvas
    76 x 101 cm
  • Mike Green, Lovenia Woodsii (Fossils and Paddy Melons), 2018
    Mike Green
    Lovenia Woodsii (Fossils and Paddy Melons), 2018
    Acrylic on canvas
    30.5 x 40.6 cm
  • Mike Green, In Silent Pool…many bones down there (from Oodgeroo Noonuccal’s poem The Bunyip), 2018
    Mike Green
    In Silent Pool…many bones down there (from Oodgeroo Noonuccal’s poem The Bunyip), 2018
    Acrylic on canvas
    69 x 81 cm
  • Mike Green, Portrait of My Father
    Mike Green
    Portrait of My Father
    Gouache on 300gms Arches paper, Collaged, multimedia
  • Ronnie Tjampitjinpa, Water Dreaming, 2008
    Ronnie Tjampitjinpa
    Water Dreaming, 2008
    Acrylic on linen
    92 x 122 cm
  • Liddy Walker Napanangka, Wanakiji Jukurrpa (Bush Tomato Dreaming), 2007
    Liddy Walker Napanangka
    Wanakiji Jukurrpa (Bush Tomato Dreaming), 2007
    Synthetic polymer paint on canvas
    152.5 x 122.5 cm
  • Angelina Pwerle, Aharlper Country, 2007
    Angelina Pwerle
    Aharlper Country, 2007
    Synthetic polymer on linen
    151 x 152 cm
  • Kim Westcott, Cleave II, 2003
    Kim Westcott
    Cleave II, 2003
    Drypoint on hahnemuhle paper
    67 x 59 cm
    Edition 4/11
  • David Larwill, On The Street (Diptych), 1984
    David Larwill
    On The Street (Diptych), 1984
    Oil on canvas
    190 x 183 cm
  • Brett Whiteley, Vincent (an Essay in Opposites), 1982
    Brett Whiteley
    Vincent (an Essay in Opposites), 1982
    Screenprint printed in 2 colours; etching printed in black ink on 2 plates, chine-collé & collage on ivory wove paper
    212 x 92 cm
    A/P edition of 30
  • Reg Mombassa, Sydney Guitar Festival, 2013
    Reg Mombassa
    Sydney Guitar Festival, 2013
    Pastel and colour pencil on paper
    19 x 16.5 cm
  • Reg Mombassa, Paul Kelly and Neil Finn, 2013
    Reg Mombassa
    Paul Kelly and Neil Finn, 2013
    Charcoal and coloured pencil on paper
    19 x 23 cm
  • Bruno Leti, Two Among Many, 1996
    Bruno Leti
    Two Among Many, 1996
    Etching with aquatint
    15 x 15 cm
  • Bruno Leti, Garden of Finzi Contini, 1999
    Bruno Leti
    Garden of Finzi Contini, 1999
    Etching
    20 x 12 cm
    Artist Proof
  • Bruno Leti, Garden Triangle, 1985
    Bruno Leti
    Garden Triangle, 1985
    etching with aquatint
    15 x 15 cm
    Edition 11 of 30
  • Kim Westcott, Saturation Point, 1996
    Kim Westcott
    Saturation Point, 1996
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, Silverpoint, 1998-99
    Kim Westcott
    Silverpoint, 1998-99
    Drypoint on hahnemuhle paper
    92 x 72.5 cm
    36 1/4 x 28 1/2 in
  • Kim Westcott, Link Backtrack II, 2004
    Kim Westcott
    Link Backtrack II, 2004
    Drypoint on hahnemuhle paper
  • Kim Westcott, Rose River, 2003
    Kim Westcott
    Rose River, 2003
    Drypoint on hahnemuhle paper
    90 x 120 cm
  • Kim Westcott, Link Backtrack III, 2004
    Kim Westcott
    Link Backtrack III, 2004
    Drypoint on hahnemuhle paper
    43 x 60 cm
    16 7/8 x 23 5/8 in
    3/15
  • Kim Westcott, Link Backtrack I-I, 2004
    Kim Westcott
    Link Backtrack I-I, 2004
    Drypoint on hahnemuhle paper
  • Kim Westcott, Moonlight, 1996 - 2001
    Kim Westcott
    Moonlight, 1996 - 2001
    Drypoint on hahnemuhle paper
    120 x 90 cm
    1/15
  • Kim Westcott, Blanket, 1999
    Kim Westcott
    Blanket, 1999
    Drypoint on hahnemuhle paper
    92 x 72.5 cm
    36 1/4 x 28 1/2 in
  • Kim Westcott, Notations, 1996
    Kim Westcott
    Notations, 1996
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, The Deep, 1996 - 2001
    Kim Westcott
    The Deep, 1996 - 2001
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, Horizons, 1994
    Kim Westcott
    Horizons, 1994
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, Untitled, 1996
    Kim Westcott
    Untitled, 1996
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, Untitled, 1996
    Kim Westcott
    Untitled, 1996
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, River Branch Night, 1999
    Kim Westcott
    River Branch Night, 1999
    Drypoint on hahnemuhle paper
    90 x 120 cm
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