• Reg Mombassa, House at Night Cassilis, 2008
    House at Night Cassilis, 2008
    Charcoal on paper
    28.5 × 37 cm
  • Reg Mombassa, Crowded House Concert
    Crowded House Concert
    Coloured pencil on paper
    41.5 × 28.5 cm
  • Reg Mombassa, Squabble, 1997
    Squabble, 1997
    Charcoal on paper
    26 × 21.5 cm
  • Reg Mombassa, Hedge-Horse and House (N.S.W), 2007
    Hedge-Horse and House (N.S.W), 2007
    Coloured pastel on paper
    19 × 26 cm
  • Reg Mombassa, Frank Watters on the Ridge at Cassilis, 2004
    Frank Watters on the Ridge at Cassilis, 2004
    Charcoal and coloured pencil on paper
    69 × 50 cm
  • Bruno Leti, Night Garden, 1984
    Night Garden, 1984
    Etching with aquatint
  • Bruno Leti, Pier (P.P.B series), 1982
    Pier (P.P.B series), 1982
    Etching with aquatint
    Edition 1/30
    10.2 x 10.2cm
  • Bruno Leti, Pier Reflection, 1983
    Pier Reflection, 1983
    Etching with aquatint
    Stock Proof
    10.2 x 10.2cm
  • Bruno Leti, Submerged II (P.P.B Series), 1981
    Submerged II (P.P.B Series), 1981
    Etching with aquatint
    Stock Proof
    10 x 10cm
  • Bruno Leti, Pinnacle Shadow I, 1989
    Pinnacle Shadow I, 1989
    Etching with aquatint
  • Bruno Leti, Submerged (P.P.B Series), 1982
    Submerged (P.P.B Series), 1982
    Etching with aquatint
    Proof Stock
    10.8 x 8cm
  • Bruno Leti, Pinnacle Shadow II, 1989
    Pinnacle Shadow II, 1989
    Etching with aquatint
  • Bruno Leti, Rummage, 1983
    Rummage, 1983
    Etching
  • Bruno Leti, Shallow End (P.P.B Series), 1983
    Shallow End (P.P.B Series), 1983
    Etching
    Edition 9/30
    8.5 x 10cm
  • Bruno Leti, Surface Float (P.P.B Series), 1984
    Surface Float (P.P.B Series), 1984
    Etching with aquatint
    Stock Proof
    10.2 x 10.2cm
  • Bruno Leti, Yass to Gundahlin
    Yass to Gundahlin
    Unique woodblock
  • Bruno Leti, Untitled, 1995
    Untitled, 1995
    Unique monotype
  • Bruno Leti, Sea Through Window II, 1996
    Sea Through Window II, 1996
    Etching with aquatint
    60 x 50 cm
  • Bruno Leti, Lines and Plains II, 2001
    Lines and Plains II, 2001
    Unique woodblock
    $2.00
  • Christophe Stibio, Unfolding Cliffs at Wattamolla (triptych), 2012
    Unfolding Cliffs at Wattamolla (triptych), 2012
    Natural pigments, shredded recycled documents and rice paper on cotton duck
    200 x 280 cm
    $ 58,000.00
  • Christophe Stibio, Billabong (triptych), 2014
    Billabong (triptych), 2014
    160 x 210 cm
    36,800.00
  • Glen Clarke, American Crater Near Hanoi #12, 2006
    American Crater Near Hanoi #12, 2006
    Vietnam, US, Laos, Cambodia Currency and Cotton thread
    76.8 x 104.1 x 27 cm
  • Glen Clarke, Australian Warhead with Rising Tide of Human Rights Abuses, 2019
    Australian Warhead with Rising Tide of Human Rights Abuses, 2019
    Origami shirts folded from world currencies on cotton thread
    223 x 121 x 77 cm
  • Reg Mombassa X Marc Newson, Couch, 1996
    Couch, 1996
    Coloured painting on fibreglass
    76 × 180 x 30 cm
  • Glen Clarke, A Trembling Quiet, Laod hillside with multiple Bomb Craters, 2006
    A Trembling Quiet, Laod hillside with multiple Bomb Craters, 2006
    25,000 Laos kip and US$ folded money shirts
    240H x 300W x 600D (cm)
  • Angelina Pwerle, Aharlper Country, 2007
    Aharlper Country, 2007
    Acrylic on linen
    200 x 120 cm
  • Angelina Pwerle, Aharlper Country, 2008
    Aharlper Country, 2008
    Acrylic on linen
    200 x 120cm
  • Angelina Pwerle, Bush Plum Dreaming, 2005
    Bush Plum Dreaming, 2005
    Acrylic on linen
    165 x 205 cm
  • Angelina Pwerle, Bush Plum At Aharlper, 2008
    Bush Plum At Aharlper, 2008
    Acrylic on linen
    200 x 120cm
  • Reg Mombassa, Shrubs and Shops Rockhampton, 1998
    Shrubs and Shops Rockhampton, 1998
    Coloured pencil and charcoal on paper
    17 x 23 cm
  • Reg Mombassa, Pavillion Mollion
    Pavillion Mollion
    Charcoal on paper
    31 x 24 cm
    42 x 32 cm (framed)
  • Reg Mombassa, Pohutukawa trunk Piha
    Pohutukawa trunk Piha
    Charcoal on paper
    32 x 25 cm
    42 x 29 cm (framed)
  • Reg Mombassa, Lopped trunk Wamberal, 2008
    Lopped trunk Wamberal, 2008
    Charcoal on paper
    30.5 x 23 cm
    42 x 29 cm (framed)
  • Reg Mombassa, Pavilion Richelieu
    Pavilion Richelieu
    Charcoal on paper
    37 x 26 cm
    42 x 32 cm (framed)
  • Reg Mombassa, View From Tram Stop Lyon
    View From Tram Stop Lyon
    Charcoal on paper
    36 x 26 cm
    42 x 32 cm (framed)
  • Brett Whiteley, Zen Monks, 1971
    Zen Monks, 1971
    Ink on rice paper on board
    49 x 51 cm
  • Brett Whiteley, Linfield Gardens, 1978
    Linfield Gardens, 1978
    Screenprint and offset lithography on paper
    92 x 116 cm
    Edition 43/80
  • Peter Booth, Untitled Landscape, 20 x 28 cm,
    Untitled Landscape, 20 x 28 cm,
    Gouache on paper
    200 x 28 cm
  • Peter Booth, Untitled, 1974
    Untitled, 1974
    Charcoal and pencil on paper
    32 x 24 cm
  • Peter Booth, Untitled (landscape)
    Untitled (landscape)
    Charcoal on paper
    26 x 34 cm
  • Peter Booth, Untitled (crow)
    Untitled (crow)
    Charcoal and pastel on paper
    29 x 23 cm
  • Christophe Stibio, Mungo 6 (diptych), 2005
    Mungo 6 (diptych), 2005
    Acrylic, natural pigments and rice paper on cotton duck
    130 x 260 cm
    $ 36,800.00
  • Bruno Leti, Sail (Port Phillip Bay Series), 1983
    Sail (Port Phillip Bay Series), 1983
    Etching with aquatint
    10.5 x 9.2
    Edition 23 / 30
  • Bruno Leti, Window Light, 1973
    Window Light, 1973
    Etching with Aquatint
    50 x 50 cm
    Artist Proof
  • Shorty Jangala Robertson, Ngapa Jukurrpa (Water Dreaming), 2010
    Ngapa Jukurrpa (Water Dreaming), 2010
    Acrylic on linen
    91 x 91 cm
  • Kim Westcott, Blackboard, 2000
    Blackboard, 2000
    Drypoint on hahnemuhle paper
    90 x 72 cm
  • Kim Westcott, Taminick II, 2004
    Taminick II, 2004
    Drypoint on hahnemuhle paper
    120 x 90 cm
    Edition 2 of 6
  • Kim Westcott, Dusty, 2006
    Dusty, 2006
    Drypoint on hahnemuhle paper
    120 x 90 cm
    State Proof
  • Kim Westcott, Silverpoint, 1998-99
    Silverpoint, 1998-99
    Drypoint on hahnemuhle paper
    92 x 72.5 cm
    36 1/4 x 28 1/2 in
  • Kim Westcott, Moonlight, 1996 - 2001
    Moonlight, 1996 - 2001
    Drypoint on hahnemuhle paper
    120 x 90 cm
    1/15
  • Kim Westcott, Horizons, 1994
    Horizons, 1994
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Kim Westcott, Saturation Point, 1996
    Saturation Point, 1996
    Drypoint on hahnemuhle paper
    120 x 90 cm
  • Bruno Leti, Two Among Many, 1996
    Two Among Many, 1996
    Etching with aquatint
    15 x 15 cm
  • Bruno Leti, Garden of Finzi Contini, 1999
    Garden of Finzi Contini, 1999
    Etching
    20 x 12 cm
    Artist Proof
  • Tim Johnson, Shakyamuni, 2003
    Shakyamuni, 2003
    Synthetic polymer paint on linen
    122.5 x 152 cm
  • Reg Mombassa, A Seated Maggot Infested Business Horse, Waiheke Island, 2007
    A Seated Maggot Infested Business Horse, Waiheke Island, 2007
    Charcoal, pencil and mixed media on paper
    40 x 56 cm
  • Reg Mombassa, Fire and Water
    Fire and Water
    Plate lithograph printed in 5 colours from 5 plates
    38 x 55 cm
    Edition 21 of 40
  • Reg Mombassa, Dog Trumpet, 2013
    Dog Trumpet, 2013
    Pastel and coloured pencil on paper
    30 x 19.5 cm
  • Shorty Jangala Robertson, Ngapa (Water Dreaming)
    Ngapa (Water Dreaming)
    Etching
    49 x 32 cm
    Edition 7 of 60
  • David Larwill, On The Street (Diptych), 1984
    On The Street (Diptych), 1984
    Oil on canvas
    190 x 183 cm
  • David Larwill, Untitled
    Untitled
    Ceramic plate
    34 x 34 x 9 cm
  • Brett Whiteley, Divided Unity, 1974
    Divided Unity, 1974
    Screenprint on paper
    66.5 x 93.5 cm
    Edition 48/70
  • Brett Whiteley, Back 2, 1981
    Back 2, 1981
    Colour lithograph
    97 x 63 cm
  • Angelina Pwerle, Aharlper Country, 2007
    Aharlper Country, 2007
    Synthetic polymer on linen
    151 x 152 cm
  • Kim Westcott, Cluster, 2021
    Cluster, 2021
    digital C-type print on Fuji metallic paper mounted to Dibond aluminium
    60 x 90 cm
  • Kim Westcott, Suspension, 2021
    Suspension, 2021
    digital C-type print on Fuji metallic paper mounted to Dibond aluminium
    60 x 90 cm
    Edition of 6 + 2 AP
  • Kim Westcott, Awaken, 2021
    Awaken, 2021
    digital C-type print on Fuji metallic paper mounted on Dibond aluminium
    60 x 90 cm
    Edition of 6 + 2 AP
  • Mike Green, Portrait of My Father
    Portrait of My Father
    Gouache on 300gms Arches paper, Collaged, multimedia
  • Mike Green, Strangers from the North, 2006
    Strangers from the North, 2006
    Watercolour on 300gms Arches paper
    88 x 133 cm
  • Mike Green, By the Light of the Moon, 2006
    By the Light of the Moon, 2006
    Watercolour on 300gms Arches paper
    89 x 73 cm
  • Lin Onus & Mandjad Productions, Still looking, 2000
    Still looking, 2000
    Archival ink on 320gsm SIHL paper
    A3: Image size 32 x 24 cm
    Edition of 48 plus 5 AP/TP

    A2: Image size 43 x 32 cm
    Edition of 48 plus 5 AP/TP

    A1: Image size 60 x 45 cm
    Edition of 21 plus 4 AP/TP

    A0: Image size 106 x 80 cm
    Edition of 9 plus 3 AP/TP
    Edition of 48 plus 4 artist's proofs
  • Christophe Stibio, Worturpa Gorge 6.53pm, 2021
    Worturpa Gorge 6.53pm, 2021
    Shredded classified documents, acrylic, rice paper on cotton duck
    105 x 105 cm
    $ 13,500.00
  • Juan Ford, Tentative Steps, 2008-09
    Tentative Steps, 2008-09
    Oil on linen
    81 x 86 cm
  • Christophe Stibio, West Macdonnell Ranges, 2022
    West Macdonnell Ranges, 2022
    Acrylic, shredded classified documents and rice paper on cotton duck
    155 x 185 cm
    $ 29,500.00
  • Juan Ford, Custom Paintjob, 2011
    Custom Paintjob, 2011
    Oil on linen
    108 x 92 cm
  • Kim Westcott, Boilerwood Track (diptych) , 2022
    Boilerwood Track (diptych) , 2022
    Indian ink on Dibond Aluminium
    120 x 180 cm
  • Matthew Couper, Planar Landfall, 2020
    Planar Landfall, 2020
    150 x 100 cm
  • Matthew Couper, Totes Meer (Dead Sea), 2022
    Totes Meer (Dead Sea), 2022
    Oil on plywood
    20 x 14 cm
  • Matthew Couper, Stitched Box, 2022
    Stitched Box, 2022
    Gouache on paper
    23 x 18 cm
  • Matthew Couper, Night Shadows II, 2022
    Night Shadows II, 2022
    Gouache on paper
    31 x 23 cm
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